I remember putting stars on your ceiling
One afternoon. And we lay there in bed
That night looking at our very own cosmos
Twinkling in your dark bedroom
Later, we went outside and
Lay on the grass
Our backs moist with spring dew
And we looked at the stars
The real stars
And held hands
And cried
Because you were leaving
To follow your dreams
So far away
That I could not follow
You were my dream
But I wasn't yours
And because of that
I had to let go
It was as if
I never had you
In the first place
In an instant you were gone
And I lay there on the wet grass
And watched your plane fly
Overhead
And I cried and I laughed
And I wanted to be with you
But this could never be
As you followed your dreams
And left me behind
Saturday, December 6, 2008
Poetry Assignment: Tattoo
Tiger
"Do you like it?"
"I guess."
"It's cool."
"Is it?"
"Yeah, it is."
"Why?"
"'Cause it's a tiger."
"It is?"
"Hell yes, it's a tiger."
"Ok, if you say so."
"What do you mean?"
"If you say it's a tiger
it's a tiger."
"Damn right it is."
"Whatever you say, Steph."
"Fuck you, Daphnie."
"Thanks, Steph."
"Aren't you getting one?"
"No, I don't think so."
"Chicken?"
"No, it's not for me."
"You're chicken."
"No, I'm not chicken."
"Yes you are. You are."
"I wasn't chicken when
we got our labias pierced."
All the while the needle
Buzzed, the ink flowed,
And the artist wiped away
The blood. The tiger,
For that's what it was,
Emerged from her shoulder.
Like Michelangelo and
His blocks of marble
Carving away what shouldn't
Be there, the tattoo
Artist revealed what was
Already hiding just
Beneath her skin.
"Do you like it?"
"I guess."
"It's cool."
"Is it?"
"Yeah, it is."
"Why?"
"'Cause it's a tiger."
"It is?"
"Hell yes, it's a tiger."
"Ok, if you say so."
"What do you mean?"
"If you say it's a tiger
it's a tiger."
"Damn right it is."
"Whatever you say, Steph."
"Fuck you, Daphnie."
"Thanks, Steph."
"Aren't you getting one?"
"No, I don't think so."
"Chicken?"
"No, it's not for me."
"You're chicken."
"No, I'm not chicken."
"Yes you are. You are."
"I wasn't chicken when
we got our labias pierced."
All the while the needle
Buzzed, the ink flowed,
And the artist wiped away
The blood. The tiger,
For that's what it was,
Emerged from her shoulder.
Like Michelangelo and
His blocks of marble
Carving away what shouldn't
Be there, the tattoo
Artist revealed what was
Already hiding just
Beneath her skin.
Poetry Assignment: Phone Book
Not for the easily offended... You have been warned!
Room Service
for cb
I strolled down the hallway
with Ed's wife Sara, her eyes
askance
Together but not together
scatterings of early room
service litter the hallway
bits of old food cling
to chipped hotel china
my stomach rolled
Into the room, silent
undressed under dim
fluorescent light
that cast a pallor over
Sara's pale skin
Sara, her 110 pounds naked
bent in half before me
"Do it!"
I hit her ass with my hand,
hard. And again. And again.
"Hit me!" she screamed
"Harder, you fuck!"
hands clench ankles,
her tight body bent double,
tits dangling from her
chest, swaying gently,
her bare ass flushed
with blows already
delivered.
From the desk, I grab
a phone book in both hands
and wind up for another shot at
that perfect, round ass. The
sound of contact
paper on flesh
echos off the
dingy walls.
Anonymous paintings by
anonymous painters
gaze down impassively
while we dance
our potent ritual.
"Fucking pussy! I said HARDER!".
Smile,
swing,
contact.
"Oh God, YES! YES!
Fuck YES!"
Casting the paper weapon aside I
rammed my stiff cock into her as
far as it would go.
I catch sight of the phone book
laying open on the floor
to the restaurant section.
it's pages a subtle, erotic V
Moving rhythmically
in and out
in and out
in and out
the smell of our sex swirled
around us, cloying, intoxicating,
breathing harder
and harder
and harder
"How about Chinese?"
She moans a vague agreement.
My body shudders as I come hard
inside her.
"Kung Pao Chicken," she gasps.
"Spicy."
Room Service
for cb
I strolled down the hallway
with Ed's wife Sara, her eyes
askance
Together but not together
scatterings of early room
service litter the hallway
bits of old food cling
to chipped hotel china
my stomach rolled
Into the room, silent
undressed under dim
fluorescent light
that cast a pallor over
Sara's pale skin
Sara, her 110 pounds naked
bent in half before me
"Do it!"
I hit her ass with my hand,
hard. And again. And again.
"Hit me!" she screamed
"Harder, you fuck!"
hands clench ankles,
her tight body bent double,
tits dangling from her
chest, swaying gently,
her bare ass flushed
with blows already
delivered.
From the desk, I grab
a phone book in both hands
and wind up for another shot at
that perfect, round ass. The
sound of contact
paper on flesh
echos off the
dingy walls.
Anonymous paintings by
anonymous painters
gaze down impassively
while we dance
our potent ritual.
"Fucking pussy! I said HARDER!".
Smile,
swing,
contact.
"Oh God, YES! YES!
Fuck YES!"
Casting the paper weapon aside I
rammed my stiff cock into her as
far as it would go.
I catch sight of the phone book
laying open on the floor
to the restaurant section.
it's pages a subtle, erotic V
Moving rhythmically
in and out
in and out
in and out
the smell of our sex swirled
around us, cloying, intoxicating,
breathing harder
and harder
and harder
"How about Chinese?"
She moans a vague agreement.
My body shudders as I come hard
inside her.
"Kung Pao Chicken," she gasps.
"Spicy."
Thursday, December 4, 2008
Poetry Assignment: Cathedral
I had a lot of trouble with this one.
Cathedral
The young monk stands in the nave
Staring up towards the ceiling so far far away
A flicker of gold and images of saints
Gaze down, indifferent, upon him
The perfumed air of the cathedral
Rich and layered with the centuries
A simple brown robe cloaks his thin frame
Plain and unadorned, stark contrast
To the ornate building where he stands.
Casting gaze downward, past the
Multi-hued rose high on the wall
to the high altar and the crucifix of gold.
Moving silently aside, he crosses himself
And kneels to pray. Quietly murmuring
His meditations cracked open by a
Shrill, harsh outburst from behind.
"Oh honey, look, he's prayin'! Take a picture!"
"You betcha', babe, that's a keeper!"
The young monk closes his eyes and
Prays for patience to endure what he's
Come to detest. God Damn Tourists.
Cathedral
The young monk stands in the nave
Staring up towards the ceiling so far far away
A flicker of gold and images of saints
Gaze down, indifferent, upon him
The perfumed air of the cathedral
Rich and layered with the centuries
A simple brown robe cloaks his thin frame
Plain and unadorned, stark contrast
To the ornate building where he stands.
Casting gaze downward, past the
Multi-hued rose high on the wall
to the high altar and the crucifix of gold.
Moving silently aside, he crosses himself
And kneels to pray. Quietly murmuring
His meditations cracked open by a
Shrill, harsh outburst from behind.
"Oh honey, look, he's prayin'! Take a picture!"
"You betcha', babe, that's a keeper!"
The young monk closes his eyes and
Prays for patience to endure what he's
Come to detest. God Damn Tourists.
Ten Random iPod Tracks
Following on from BaronessHeather's iPod randomness assignment, here are my 10 random iPod tracks. Be aware that I have a 60GB iPod which is almost full so there's a lot of stuff to pick from...
- Leri Son Salita tutta sola in segreto alla Missione - Madame Butterfly
- Orion - Stormwatch - Jethro Tull
- Cantata "Christum wir sollen loben schon" BWV 121 - Bach Christmas Cantata - English Baroque Orchestra
- Queen of Las Vegas - Nude on the Moon - The B52s
- Enigma Variations - VI - Elgar: The Enigma Variations
- Waiting in Vain - Songs of Freedom - Bob Marley
- Relax - Tuxicity - Richard Cheese
- Waiting for a Girl like You - Four - Foreigner
- Chain Lightning - Citizen Steely Dan - Steely Dan
- Boogie Blues - old 78 record - Gene Krupa & His Orchestra
Wednesday, December 3, 2008
Poetry Assignment: Salsa
Untitled
They danced in the snow
Coats cast aside
Mummy wraps
Nearly naked in
Mother's disapproval
A violent steamy salsa
Spinning and twirling
Amidst the falling flakes
Fast turning to steam
At skin's desperate contact
So hot, hot beyond measure
A passion intertwined
Snow and heat
Music spilling
From an open car
Beat and rhythm
Their eyes locked
In the heat of the dance
Cacophonous laughter
Echos in the street
When finally, finally, finally
They find each other
They danced in the snow
Coats cast aside
Mummy wraps
Nearly naked in
Mother's disapproval
A violent steamy salsa
Spinning and twirling
Amidst the falling flakes
Fast turning to steam
At skin's desperate contact
So hot, hot beyond measure
A passion intertwined
Snow and heat
Music spilling
From an open car
Beat and rhythm
Their eyes locked
In the heat of the dance
Cacophonous laughter
Echos in the street
When finally, finally, finally
They find each other
Poetry Assignment: Baseball
Here is a link to another baseball poem which I kind of like better than this one, but since it's from before, I couldn't use it again...
Winter Park
The empty cathedral stands silent
But for the whispers of the stands
Where sun worshipers roast like brats
In the hazy, hot summer sun.
But that day is not today, not today.
Now the ground is cold, so cold.
From beneath a cracked bench
Tucked way back in the dugout
A baseball peeks out, a shy small
Mouse on a frosty winter's day.
Forlorn but not quite forgotten little ball
Recalls the days of the sun and the grass
The swing of the bat, the joy of the sound
As contact is made. The roar of the crowd,
Silenced for now, but old ball knows it will be back.
The wind whistles through empty flagpoles,
Their banners long ago removed.
Rope and cable tap out a rhythm without rhythm.
The bleachers below slumber soundly beneath
Snow and ice, waiting, dreaming of sunshine days.
The sun hangs so low at mid-day
Shadows stretch deep into the outfield.
A snow thick and lustrous carpets
The field where birds peck and poke,
Wandering in search of old popcorn.
One day, one day the field will awaken
The sun will rise higher and brighter than now
The bleachers will fill with the sun seeking
Throng. But today, on this cold day
The park slumbers, waiting for then.
Winter Park
The empty cathedral stands silent
But for the whispers of the stands
Where sun worshipers roast like brats
In the hazy, hot summer sun.
But that day is not today, not today.
Now the ground is cold, so cold.
From beneath a cracked bench
Tucked way back in the dugout
A baseball peeks out, a shy small
Mouse on a frosty winter's day.
Forlorn but not quite forgotten little ball
Recalls the days of the sun and the grass
The swing of the bat, the joy of the sound
As contact is made. The roar of the crowd,
Silenced for now, but old ball knows it will be back.
The wind whistles through empty flagpoles,
Their banners long ago removed.
Rope and cable tap out a rhythm without rhythm.
The bleachers below slumber soundly beneath
Snow and ice, waiting, dreaming of sunshine days.
The sun hangs so low at mid-day
Shadows stretch deep into the outfield.
A snow thick and lustrous carpets
The field where birds peck and poke,
Wandering in search of old popcorn.
One day, one day the field will awaken
The sun will rise higher and brighter than now
The bleachers will fill with the sun seeking
Throng. But today, on this cold day
The park slumbers, waiting for then.
Tuesday, December 2, 2008
Poetry Assignment: Sleep
Today's poetry assignment was sleep. When I think sleep, I think dreams....
Sleep
Awakend from a fitful sleep
A dream on the edge of memory
Three dryads recalled
And a remembrance of
Strange happenings felt.
Lying in bed wondering
What had happened
In a place so near to hand
Yet so very far away
Closing my eyes and
Seeing their faces
Fleeting as the memory
Of a memory of a myth.
Moments stretch to years
Dreams unbidden yet
Longingly desired
Three dryads danced
Just for me, just for me.
Sleep
Awakend from a fitful sleep
A dream on the edge of memory
Three dryads recalled
And a remembrance of
Strange happenings felt.
Lying in bed wondering
What had happened
In a place so near to hand
Yet so very far away
Closing my eyes and
Seeing their faces
Fleeting as the memory
Of a memory of a myth.
Moments stretch to years
Dreams unbidden yet
Longingly desired
Three dryads danced
Just for me, just for me.
Sunday, November 30, 2008
Poetry Assignment: Gasoline
This one doesn't have a title yet (it might never). I approached the assignment of gasoline in a rather literal sense, using the car as a metaphor, in the traditional American fashion, of freedom. This one is a Road Poem of a sort.
Dusty road stretches to infinity
Route 66 blacktop, cracked and
Faded yellow lines vanish
In the distance, ahead and behind.
A blinding blue sky above
So sharp, like a straight razor,
It cuts eyes behind dark lenses.
Pavement below, rubber and road meet
Does the car move along the road,
Or the road beneath the car?
Does it matter? The rush is the same.
Wind whipped hair flying,
Laughter and freedom merge into
Ragtop dreams of speed.
Flying without fear,
Burning distilled dinosaur juice
Along a deserted trail, straight.
Last stop, gas and water,
Next stop? Beyond the edge of view
Somewhere in the distance, a place
Known but unseen, waiting for them
To arrive, below the horizon,
always just beyond the limit.
Dusty road stretches to infinity
Route 66 blacktop, cracked and
Faded yellow lines vanish
In the distance, ahead and behind.
A blinding blue sky above
So sharp, like a straight razor,
It cuts eyes behind dark lenses.
Pavement below, rubber and road meet
Does the car move along the road,
Or the road beneath the car?
Does it matter? The rush is the same.
Wind whipped hair flying,
Laughter and freedom merge into
Ragtop dreams of speed.
Flying without fear,
Burning distilled dinosaur juice
Along a deserted trail, straight.
Last stop, gas and water,
Next stop? Beyond the edge of view
Somewhere in the distance, a place
Known but unseen, waiting for them
To arrive, below the horizon,
always just beyond the limit.
Saturday, November 29, 2008
Poetry Assignment: Ice
Ice
He lay in deep contemplation of
The inky black dome overhead,
The pinprick stars, like holes
In a vast canopy devoid of warmth
He could feel his fingers and toes
For the last time as they froze
In the deep, Pleistocene cold.
His dog, black as the sky above
Crouched beside him on the snow
The gently tapping tail against him
As they lay together atop the vast
Frozen lake sprawling around him,
Receeding in the snowy, blue distance a
Treeline, so very, very far away.
He had surrendered some time before,
Indeterminate time, stolen by the cold
Any sense of progression and movement
Still as if the world itself had frozen.
He gazed to the infinitely receding sky
Contemplated the bitter distances
To the lake edge, the twinkling of cabin
Lights on the far shore he would not reach.
His only regret in this infinite
Struggle was that his dog would
Die here with him on this ice.
He lay in deep contemplation of
The inky black dome overhead,
The pinprick stars, like holes
In a vast canopy devoid of warmth
He could feel his fingers and toes
For the last time as they froze
In the deep, Pleistocene cold.
His dog, black as the sky above
Crouched beside him on the snow
The gently tapping tail against him
As they lay together atop the vast
Frozen lake sprawling around him,
Receeding in the snowy, blue distance a
Treeline, so very, very far away.
He had surrendered some time before,
Indeterminate time, stolen by the cold
Any sense of progression and movement
Still as if the world itself had frozen.
He gazed to the infinitely receding sky
Contemplated the bitter distances
To the lake edge, the twinkling of cabin
Lights on the far shore he would not reach.
His only regret in this infinite
Struggle was that his dog would
Die here with him on this ice.
Tuesday, November 25, 2008
Sunday, November 23, 2008
Nikon School
Wow, what an experience! Nikon School is back in business, that's for sure. The course was taught by two professional photographers, Bill Durrence and Reed Hoffman.
Day 1
The first day was packed. There were 300+ people int he auditorium. But the screen was big and the audio system well setup so it really wasn't a problem. My biggest complaint was the chairs. The hotel chairs put my butt to sleep after about an hour. They were awful. But you gotta suck it up if you want to get the knowledge, right? So the first half of the day was mostly on photographic theory and the interrelationship between ISO, f-stop and shutter speed. They did a fantastic job explaining how "stops" work and what the relationship is between these three critical forces in determining how exposure is handled.
The afternoon session covered some basic aspects of the Nikon software and how it works together. They talked a bit about color management but it was pretty basic.
Day 2
The second day was the meat of the program. We started off talking about light and how light can be manipulated to enhance your photographs in a variety of ways. We learned how to use multiple flashes to turn an awful picture into an artistic one.
We learned about color management and how important it is to calibrate your screen when working with digital images. Then the rest of the day we worked with the Nikon Capture NX software (download a 60 day demo here). I learned a ton about how to do image manipulation to enhance and bring out the parts of the photography you want to enhance and how to tone down areas that need it. I learned about how to construct a good workflow for photo management and how to throw away pix you aren't going to use.
The class was totally worth the cost. It will definitely make me a better photographer. Anyone interested in learning Digital SLR technology or how to enhance and improve your digital photos will benefit from this class.
Day 1
The first day was packed. There were 300+ people int he auditorium. But the screen was big and the audio system well setup so it really wasn't a problem. My biggest complaint was the chairs. The hotel chairs put my butt to sleep after about an hour. They were awful. But you gotta suck it up if you want to get the knowledge, right? So the first half of the day was mostly on photographic theory and the interrelationship between ISO, f-stop and shutter speed. They did a fantastic job explaining how "stops" work and what the relationship is between these three critical forces in determining how exposure is handled.
The afternoon session covered some basic aspects of the Nikon software and how it works together. They talked a bit about color management but it was pretty basic.
Day 2
The second day was the meat of the program. We started off talking about light and how light can be manipulated to enhance your photographs in a variety of ways. We learned how to use multiple flashes to turn an awful picture into an artistic one.
We learned about color management and how important it is to calibrate your screen when working with digital images. Then the rest of the day we worked with the Nikon Capture NX software (download a 60 day demo here). I learned a ton about how to do image manipulation to enhance and bring out the parts of the photography you want to enhance and how to tone down areas that need it. I learned about how to construct a good workflow for photo management and how to throw away pix you aren't going to use.
The class was totally worth the cost. It will definitely make me a better photographer. Anyone interested in learning Digital SLR technology or how to enhance and improve your digital photos will benefit from this class.
Saturday, November 22, 2008
Rescued Haiku
Here's a bunch of Haiku I originally posted on my sister site, Accidental Incidents. They deserve a home here.
My Autobiography
The arrogance of knowing
Beams from every pore -
A fool!
I am not wise enough
To write haiku,
The pen fails
Tender autumn journey
A child nestled close;
Footsteps crunching
Mud caked sandals snuggle
on clean wooden steps,
A rain shower!
Buds on a branch
Nestled possibility;
Snowflakes gently fall
Grieving husband bows
No more his wife wants him –
Tearful lotus blossom
I slept peacefully
Once again
Beneath old willow tree
Spring moonlight
Shines on frosted clover –
Morning gently breaks
Scratch, scratch, scratch
The poet’s pen on paper
Makes me poor!
A thousand lanterns float
Gentle breeze moves
Floating blossoms east
Forever is a long time
To feel one way
Without another
Noisy mountain brook
Cuts a rocky gap –
Carp make small circles
Cold moonlit field
Winter wheat sprouts –
A rabbit!
Nut-brown leaves tumble
into an icy stream,
My face distorted.
Alone in the moonlight
A small dove lands
Snow falls on pines
Along the snowy bank
Children's footprints;
Cold grey clouds
Stony path decends
To oaken door, barred
Warm fire within
Two boys sled
By the river bank
Mother turns away
Cherry blossoms fall
From the woody branch.
A child runs to hide
Fog hugs the pines
Gentle rain falls
A small boy walks alone
Cherry blossoms fall
To nestle in the soft grass -
Another year to wait.
[The next three were written in the Milwaukee Museum of Art. For 10 points, see if you can guess which artist is described in the 2nd one.]
The gallery beckons
Level upon level of art -
What's THAT supposed to be?
Green, Red, Blue
Panels of color -
A ripe answer to koan's Mu!
Karma is a force
That has no force
Beyond what we feel.
Snow softly blankets
Brown grass and weeds -
A jonquil!
As she drifts through my mind
My zazen concentration ends -
A delightful breakdown.
A gentle inspiration
In a shy, quiet smile -
Unexpected surprise!
Cloudy, snowy day
The cold grips my heart -
Then I remember her and warm up.
Without realizing it,
She has captured my spirit
In a little rabbit snare!
Threads of karma collide
And weave a new pattern -
Life is quieter now.
The wheel of karma spins
My life goes round and round -
Spin again!
A ragged cat sleeps
In slits of summer sun -
He looks bored.
My Autobiography
The arrogance of knowing
Beams from every pore -
A fool!
I am not wise enough
To write haiku,
The pen fails
Tender autumn journey
A child nestled close;
Footsteps crunching
Mud caked sandals snuggle
on clean wooden steps,
A rain shower!
Buds on a branch
Nestled possibility;
Snowflakes gently fall
Grieving husband bows
No more his wife wants him –
Tearful lotus blossom
I slept peacefully
Once again
Beneath old willow tree
Spring moonlight
Shines on frosted clover –
Morning gently breaks
Scratch, scratch, scratch
The poet’s pen on paper
Makes me poor!
A thousand lanterns float
Gentle breeze moves
Floating blossoms east
Forever is a long time
To feel one way
Without another
Noisy mountain brook
Cuts a rocky gap –
Carp make small circles
Cold moonlit field
Winter wheat sprouts –
A rabbit!
Nut-brown leaves tumble
into an icy stream,
My face distorted.
Alone in the moonlight
A small dove lands
Snow falls on pines
Along the snowy bank
Children's footprints;
Cold grey clouds
Stony path decends
To oaken door, barred
Warm fire within
Two boys sled
By the river bank
Mother turns away
Cherry blossoms fall
From the woody branch.
A child runs to hide
Fog hugs the pines
Gentle rain falls
A small boy walks alone
Cherry blossoms fall
To nestle in the soft grass -
Another year to wait.
[The next three were written in the Milwaukee Museum of Art. For 10 points, see if you can guess which artist is described in the 2nd one.]
The gallery beckons
Level upon level of art -
What's THAT supposed to be?
Green, Red, Blue
Panels of color -
A ripe answer to koan's Mu!
Karma is a force
That has no force
Beyond what we feel.
Snow softly blankets
Brown grass and weeds -
A jonquil!
As she drifts through my mind
My zazen concentration ends -
A delightful breakdown.
A gentle inspiration
In a shy, quiet smile -
Unexpected surprise!
Cloudy, snowy day
The cold grips my heart -
Then I remember her and warm up.
Without realizing it,
She has captured my spirit
In a little rabbit snare!
Threads of karma collide
And weave a new pattern -
Life is quieter now.
The wheel of karma spins
My life goes round and round -
Spin again!
A ragged cat sleeps
In slits of summer sun -
He looks bored.
Toward?
Quick thought. Any book title that starts with the word "Toward" will never, ever reach the intended destination because the author is much more interested in the journey through his or her own mind than in the ultimate answer to the question. For example:
So beware. If you're looking for answers, try another book. But if you're looking to be taken for a ride through an author's thought processes with no hope of an answer, by all means, hop aboard the "Toward" express.
- Toward a Meaningful Life
- Toward an Architecture
- Toward a Psychology of Awakening
- Toward a New Psychology of Women
- Toward a New Film Aesthetics
So beware. If you're looking for answers, try another book. But if you're looking to be taken for a ride through an author's thought processes with no hope of an answer, by all means, hop aboard the "Toward" express.
On Orgasms and Authors
You know when you haven't had sex in awhile and after a time, you stop thinking about it because it hurts too much to think about and even masturbation becomes a dull routine? And then when you finally get to have sex again, it's like rabbits on crystal meth? You know the drill (pun intended). It isn't so much a "quickie" as it is an "immediate-ie." But then you're able to brush back the cobwebs a bit and say, "OH YEAH!!! Now I remember why we do that!" And the next time isn't so urgent. There can be more care, more touching, more... foreplay.
I find writing is the same. My NaNoWriMo experience was definitely one of "immediate-ie" speed. I was through 53,000 words in just over two weeks. People asked me how I managed to do that. I honestly don't know. Once I was in the groove, the words just came. It was the fastest I've ever written anything which tells me I was "pent up."
All these words may turn out to be the wrong words, I'm editing now and there's a lot of red ink, but at least they're out there now and not rattling around in my skull like... skull rattling things (yeah, so sue me!). I won't carry the sex analogy too much further, but I have to say that NaNoWriMo was a literary and creative orgasm for me (a big one!). All that pent up creativity that I was recycling into snark at my office in the form of snide offhand remarks and disdainful irritation at my colleagues has transformed itself into something much more constructive. And now that the dam has burst (so to speak), I find myself seeking creative outlets like a writing nymphomaniac (Ok, now you've gone too far!).
The juices are flowing, the ideas are twiddling around in my head, mixing and churning and I think I can get some of them out, on "paper" and maybe produce something worth reading one day. Or maybe not. But I'm still going to do it if for nobody else but me.
I find writing is the same. My NaNoWriMo experience was definitely one of "immediate-ie" speed. I was through 53,000 words in just over two weeks. People asked me how I managed to do that. I honestly don't know. Once I was in the groove, the words just came. It was the fastest I've ever written anything which tells me I was "pent up."
All these words may turn out to be the wrong words, I'm editing now and there's a lot of red ink, but at least they're out there now and not rattling around in my skull like... skull rattling things (yeah, so sue me!). I won't carry the sex analogy too much further, but I have to say that NaNoWriMo was a literary and creative orgasm for me (a big one!). All that pent up creativity that I was recycling into snark at my office in the form of snide offhand remarks and disdainful irritation at my colleagues has transformed itself into something much more constructive. And now that the dam has burst (so to speak), I find myself seeking creative outlets like a writing nymphomaniac (Ok, now you've gone too far!).
The juices are flowing, the ideas are twiddling around in my head, mixing and churning and I think I can get some of them out, on "paper" and maybe produce something worth reading one day. Or maybe not. But I'm still going to do it if for nobody else but me.
Another year
A tear stained jacket drapes his shoulders
Dark blue on light blue, rivulets run down.
A pattern of sorrow etched in satin
Friends look away from each other
Their eyes will not meet for fear of weeping
In disbelief they wander lost
Joy to Disbelief
Disbelief to Desperation
Desperation to Despair
Despair to... Nothing. Hollow. Gutted.
Another year gone another year
With nothing. Another barren
Empty, pointless year gone.
Nothing to show for all the pain, the agony
The struggle. Only then to suffer the
Agonizing bitter taste of defeat beyond measure.
The ivy covered wall stands mute
The building is quiet again, asleep
For the long, cold winter.
Sun and Moon gaze down upon grass and dirt
A place of such epic tragedy, Ilium's sands
Were not so bloody as these fragile blades.
Ground trodden by warriors of passion equal to the
Heroes of old; Achilles, Hector, Paris, Odysseus
Smiling to themselves that a people of such
Lofty aspirations, a century old, such soaring ambition
Would fall so quickly into a black lustrous oblivion.
A people in shock, dimly alive stare ahead without sight
Gazes do not cross, lover's eyes estranged from passion
A flame extinguised.
The silent frozen street's muted colors mix with rancid odors
Wafting from iron grates like prison bars embedded in
The filthy asphalt holding at bay phantoms unseen.
City dwellers slouch through the day as if sleeping or dead
Another year gone with nothing to show. Another year.
"Fucking Cubs."
"Just wait 'till next year!"
Pulled this one together at breakfast in the hotel this morning. I had the basic framework in my head by the time I finished eating. I added the Ilium stuff later since it seemed a good analogy. Modern sports are our "war" and when I think war, I think Ancient Greece. What's wrong with me?
The inspiration came from a guy I saw at breakfast. He was decked out in Cubs regalia (hat, t-shirt, satin jacket, all with some Cubs logo) and he was the saddest looking guy I've seen in a long time. I don't know whether he's still pining for the lost Cubbies, but it put me back in the mind of watching the playoffs again and what Amy and I went through watching the Breweres. He was sitting there in his Cubs stuff, it made me wonder what it would have been like to be a Cubs fan and to have made it through the whole season with the best record in baseball, then to drop 4 straight to the Dodgers. Not even win a GAME!
Even my little Brewers managed to take a game from the World Champion Philies this year. That's enough to hang your hat on during the off season, something to keep the fires banked and the coals warm until spring training. But to have had such a season as the Cubbies had and then to fall apart when it mattered, that would, in a word, suck. But Chicago, for all it's "huskiness" and "big shoulders," is an optimistic place and the streets will warm up and the Cubs will return in the spring and will again do battle with Hector, Achilles and all the others vying for that World Series Championship Ring.
Here's a excerpt from Chicago by Carl Sandburg which sums up the city quite well. You can find the entire volume of Chicago Poems online.
A tall bold slugger indeed.
Dark blue on light blue, rivulets run down.
A pattern of sorrow etched in satin
Friends look away from each other
Their eyes will not meet for fear of weeping
In disbelief they wander lost
Joy to Disbelief
Disbelief to Desperation
Desperation to Despair
Despair to... Nothing. Hollow. Gutted.
Another year gone another year
With nothing. Another barren
Empty, pointless year gone.
Nothing to show for all the pain, the agony
The struggle. Only then to suffer the
Agonizing bitter taste of defeat beyond measure.
The ivy covered wall stands mute
The building is quiet again, asleep
For the long, cold winter.
Sun and Moon gaze down upon grass and dirt
A place of such epic tragedy, Ilium's sands
Were not so bloody as these fragile blades.
Ground trodden by warriors of passion equal to the
Heroes of old; Achilles, Hector, Paris, Odysseus
Smiling to themselves that a people of such
Lofty aspirations, a century old, such soaring ambition
Would fall so quickly into a black lustrous oblivion.
A people in shock, dimly alive stare ahead without sight
Gazes do not cross, lover's eyes estranged from passion
A flame extinguised.
The silent frozen street's muted colors mix with rancid odors
Wafting from iron grates like prison bars embedded in
The filthy asphalt holding at bay phantoms unseen.
City dwellers slouch through the day as if sleeping or dead
Another year gone with nothing to show. Another year.
"Fucking Cubs."
"Just wait 'till next year!"
Pulled this one together at breakfast in the hotel this morning. I had the basic framework in my head by the time I finished eating. I added the Ilium stuff later since it seemed a good analogy. Modern sports are our "war" and when I think war, I think Ancient Greece. What's wrong with me?
The inspiration came from a guy I saw at breakfast. He was decked out in Cubs regalia (hat, t-shirt, satin jacket, all with some Cubs logo) and he was the saddest looking guy I've seen in a long time. I don't know whether he's still pining for the lost Cubbies, but it put me back in the mind of watching the playoffs again and what Amy and I went through watching the Breweres. He was sitting there in his Cubs stuff, it made me wonder what it would have been like to be a Cubs fan and to have made it through the whole season with the best record in baseball, then to drop 4 straight to the Dodgers. Not even win a GAME!
Even my little Brewers managed to take a game from the World Champion Philies this year. That's enough to hang your hat on during the off season, something to keep the fires banked and the coals warm until spring training. But to have had such a season as the Cubbies had and then to fall apart when it mattered, that would, in a word, suck. But Chicago, for all it's "huskiness" and "big shoulders," is an optimistic place and the streets will warm up and the Cubs will return in the spring and will again do battle with Hector, Achilles and all the others vying for that World Series Championship Ring.
Here's a excerpt from Chicago by Carl Sandburg which sums up the city quite well. You can find the entire volume of Chicago Poems online.
They tell me you are wicked and I believe them, for I
have seen your painted women under the gas lamps
luring the farm boys.
And they tell me you are crooked and I answer: Yes, it
is true I have seen the gunman kill and go free to
kill again.
And they tell me you are brutal and my reply is: On the
faces of women and children I have seen the marks
of wanton hunger.
And having answered so I turn once more to those who
sneer at this my city, and I give them back the sneer
and say to them:
Come and show me another city with lifted head singing
so proud to be alive and coarse and strong and cunning.
Flinging magnetic curses amid the toil of piling job on
job, here is a tall bold slugger set vivid against the
little soft cities;
A tall bold slugger indeed.
Friday, November 21, 2008
What to do with defective parts?
Love on a Patch of Ice
A brief chuckle under his breath
As she slips on the ice he
So deftly avoided
With a move like Fred Astaire
In jeans and parka and gloves
Puffy arm plucks her
From assured catastrophe.
"Thank you!"
Soft down in clenched fists
"You saved my ass."
He looks her in the eyes
Without smiling
"It was an ass worth saving."
As she slips on the ice he
So deftly avoided
With a move like Fred Astaire
In jeans and parka and gloves
Puffy arm plucks her
From assured catastrophe.
"Thank you!"
Soft down in clenched fists
"You saved my ass."
He looks her in the eyes
Without smiling
"It was an ass worth saving."
Tuesday, November 18, 2008
The Price of Recession
He came home that night
Quiet, don't wake the family
Shoes off, sliding on socks
Like when he was young
When things were simpler
And a man could provide
Slide through the kitchen
And down the hall to the cellar door
Quiet as a wraith, silent shade
No sound as he descends
The old wooden stairs
Concrete floor, cold through socks
Sapping his energy with icy fingers pulling
Down into the cold earth, cold ground
Drawing him down to rest
To the workbench he moves
His father's tools arrayed before him
Surrounded by the past, what matters most
Invisible to the future, what should have been
He bows his head in shame.
In his pocket a handwritten note and
A crumpled form letter on letterhead
"Due to the economy we are forced
To release you effective immediately"
18 years a working man, never questioned
What he was supposed to do
Never asked for more than his due
Not yet 40
The stillness of the dark is broken
Quiet night cracked open by
A single shot. The dog barks in his pen
Tearing at the fence with ragged teeth
Desperate to be free, released from this snare.
Quiet, don't wake the family
Shoes off, sliding on socks
Like when he was young
When things were simpler
And a man could provide
Slide through the kitchen
And down the hall to the cellar door
Quiet as a wraith, silent shade
No sound as he descends
The old wooden stairs
Concrete floor, cold through socks
Sapping his energy with icy fingers pulling
Down into the cold earth, cold ground
Drawing him down to rest
To the workbench he moves
His father's tools arrayed before him
Surrounded by the past, what matters most
Invisible to the future, what should have been
He bows his head in shame.
In his pocket a handwritten note and
A crumpled form letter on letterhead
"Due to the economy we are forced
To release you effective immediately"
18 years a working man, never questioned
What he was supposed to do
Never asked for more than his due
Not yet 40
The stillness of the dark is broken
Quiet night cracked open by
A single shot. The dog barks in his pen
Tearing at the fence with ragged teeth
Desperate to be free, released from this snare.
A New Picture (2004)
Cleaning out one's home directory is a little like cleaning out an attic. You never know what you'll find. This piece, for example, from 2004.
I found a new picture
of you
today
In a place I didn’t know I could see,
Beyond the rim of eternity
Tumbled-down twisted
Embattled and scarred
Your grey eyes
Exactly as I remembered them
Startling electric remarkable
I thought
Of how much you’d changed
So little
And the spark of
Ignition
and of
Rapture
Swelled in my heart.
The ensnared wings of my desire
Frustrated and restrained
Unable to rise
to soar
to escape
Daedalus’ admonition ringing in my ears
Cruel and tender bonds of fear
Soft and sharp as new silk thread
Wrapped gently (with love)
To entwine my haggared wings
In a web
A cocoon
Of despair
And
The bottomless ache
That knows no respite
Or relief
Captivity eludes the veil of
Your soft smile
I feel your brittle heart
Straining for release
To give birth to an explosive passion
And the eruption of a terrible volcano
I sit encamped on Vesuvius
Awating your liquid fire.
I rise desperate to burn in your love
Awash in your heat
Awash in your unquenched desire
Desire matched only by my fear
And my weakness to resist the onrushing pain.
Entombed with a bittersweet longing
For you
With only a wish to be cast adrift
In the firestorm of your heart
I found a new picture
of you
today
In a place I didn’t know I could see
Beyond the rim of eternity
Tumbled-down twisted
Embattled and scarred
Your grey eyes
Exactly as I remembered them
Billie and Me
Husky and sad
She fills a room
Like the smoke
Of countless cigarettes
Wet, dark night outside
Hot bandstand shadows
In a Spotlight
Eyes closed
Haunting me now
Caressing the air
With your sultry ways
I heard you and fell
A long way down
She fills a room
Like the smoke
Of countless cigarettes
Wet, dark night outside
Hot bandstand shadows
In a Spotlight
Eyes closed
Haunting me now
Caressing the air
With your sultry ways
I heard you and fell
A long way down
Monday, November 17, 2008
Welcome to Accidental Literature
This is the companion site to my political blog, Accidental Incidents. I hope you enjoy it.
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